| 1899 – 1900 Season |
The Royal Carl Rosa Opera Company
[Autumn 1899 to be added]
| 1st – 6th Jan 1900 [1 week] Birkenhead, Theatre Metropole | |
| Mon 1st Jan 1900 | Carmen – Jessie Browning, Reginald Brophy, Arthur Deane, Arthur Winckworth, F. Wood; c.Walter van Noorden |
| “BIRKENHEAD – The Royal Carl Rosa Opera Company are paying a visit to the Theatre Metropole this week, and are presenting each evening popular operas from their excellent repertoire. Last night they received a warm welcome from an audience which filled every part of the building. Bizet’s “Carmen” was produced, the delightful music being effectively interpreted by an augmented orchestra ably conducted by Mr. Walter Van Noorden. Miss Jessie Browning e appeared as Carmen, acting with tenderness and feeling, and singing with artistic taste. The other leading parts were commendably sustained by Mr. Reginald Brophy as Don Jose, Mr. Arthur Deane as Escamillo, Mr. Arthur Winckworth as Dancairo, and Mr. F. Wood as Remendado. To-night “Maritana” will be presented.” [Liverpool Mercury, Issue: 16229, Tuesday, Jan. 2, 1900] | |
| Tue 2nd Jan 1900 | Maritana – Marie Titiens, Miss Ludlam, William Stephens, George Whitehead, Albert Chapman; c.Walter van Noorden |
| “CARL ROSA OPERA COMPANY – This company gave a most successful and enjoyable performance of “Maritana” last evening at the Theatre Metropole, Birkenhead, the popular numbers being well received and heartily applauded. The augmented orchestra, conducted by Mr. Walter Van Noorden, did its work efficiently, and the company, both individually and collectively, worked with a sincerity which commanded the admiration of a large audience. Mr. William Stephens as Don Cesar was excellent at both in his singing and acting, his rendering of “Let Me Like a Soldier Fall” being warmly applauded. Don Jose was represented by Mr. George Whitehead, who displayed perfect enunciation and sympathetic singing, particularly in ” Happy Moments,” for which he was, recalled. The artistic acting of Miss Marie Titiens as Maritana, and her delightful vocalism, evoked unstinted plaudits. Miss Ludlam appeared as Lazarillo, and Mr. Albert Chapman as the King of Spain. ” Faust”` is announced for tonight” [Liverpool Mercury, Issue: 16230, Wednesday, Jan. 3, 1900] | |
| Wed 3rd Jan 1900 | Faust – |
| Thu 4th Jan 1900 | ?? |
| Fri 5th Jan 1900 | ?? |
| Sat 6th Jan 1900 | ?? |
| Jan 6th – 11th [1 week] Regent Theatre, Salford, Lancashire “The inhabitants of Salford are having an opportunity of witnessing grand opera this week provided by the reorganised Carl Rosa opera company, uniter the direction of Mr T. H. Friend, the largely augmented orchestra and chorus being alternately under the batons of Mr Eugene Goosens, jun., and Mr Walter Van Noorden. The performances include Carmen, Faust, Lily of Kilarnev, Satanella, Lohengrin, Bohemian Girl and Tannhauser, the last-mentioned work opening the week.” [The Era, Issue: 3199, Saturday, Jan. 13, 1900] | |
| Mon 8th Jan 1900 | Tannhauser – Lily Heenan, Miss Ludlam, William Stephens, Messrs. Winckworth, Deane, Wood, Chapman, Somers, and Sheehan |
| “REGENT THEATRE – THE ROYAL CARL ROSA OPERA The Carl Rosa Company, which has in large measure recovered from the threatened collapse last August, is for the present week quartered at the handsome theatre in Cross-lane, with a varied programme ranging from Wagner to Balfe and from Gounod to Benedict. Last night, Tannhauser was performed before3 a good house and with capital staging and effects. The cast includes a number of well-known names, several f whom were in their accustomed places, though a few changes in the apportionment of parts were noticed. The title role was borne by Mr. William Stephens, a well-known figure in English opera, who acquitted himself with great credit, and in company with Miss Lily Heenan, as Elizabeth, was responsible for a large share of the success of the performance. With these two characters in capable hands the main elements of success were secured, but the part of Venus, taken by Miss Ludlam, is of course a most important one, and at the tournament of song it is necessary for the competitors and others to be familiar with their work or the whole scene is spoilt. No fear of any such result was present in the minds of the audience, however, as Messrs. Winckworth, Deane (Who has had an Australian career), Wood, Chapman, Somers, and Sheehan rose to the situation and their efforts were cordially acknowledged. The overture and chorus also deserve a good word, the overture being well played, and the pilgrim’s chant sung with telling effect. To-night “Carmen” will be on the boards, while on Wednesday “Faust” will be presented in the afternoon, with Miss Marie Titiens, niece of the famous singer of the same name, as Marguerita, and the “Lily of Kilarney” in the evening.” [Manchester Courier and Lancashire General Advertiser Manchester, England, Tuesday, Jan. 9, 1900, Volume 76, Issue 13469, page 9] | |
| Tue 9th Jan 1900 | Carmen – Jessie Browning, F. Lelgard, Laura Eagland, Messrs. Brophy, Winckworth, Wood, Chapman, Somers, Arthur Deane, Mr. Davis |
| “REGENT THEATRE.THE CARL ROSA OPERA COMPANY – “CARMEN.” The opera performed last evening was “Carmen,” with a caste not greatly different from that which took part in the same performance last May. Miss Jessie Browning was again the herione and Miss F. Lelgard Frasquita, while Messrs. Brophy, Winckworth, Wood, Chapman, and Somers were at their old places as Don Jose, Dancairo, Remendado, Zuniga, and Morales. The remaining characters were assigned as follows: Miss Laura Eagland, Michaela; Mr. Arthur Deane, the toreador; Mr. Davis, Lilas Pastia; and Miss Ludlam Mercedes. The house was well filled, and appreciative, and, though it cannot be maintained that the company is brilliantly equipped at all points there is ample evidence of sincere and laudable ambition in the performances. With these recommendations and the unmistakable approval of the audiences, the company is assured of a successful week. Today, “Faust” and the “Lily of Killarney’ will be performed in the afternoon and evening respectively.” [Manchester Courier and Lancashire General Advertiser Manchester, England, Wednesday, Jan. 10, 1900, Volume 76, Issue 13470, page 6] | |
| Wed 10th Jan 1900 (m) | Faust – Marie Titiens, William Stephens, A. Winckworth, Mr. G. Whitehead |
| Wed 10th Jan 1900 (e) | Lily of Kilarney – Lily Heenan, Miss Ludlam, Robert Hurst, Arthur Deane, Frank A. Wood, Mr Somers, |
| “REGENT THEATRE. The Carl Rosa Opera Company – Last evening, the work selected for performance by the Carl Rosa Opera Company was “The Lily of Killarney.” As on the two previous evenings, another large audience assembled and if we judge by the unstinting praise with which they received it, the performance was much enjoyed. Mr Robert Hurst ably fulfilled the part of Hardress Cregan, Mr. Arthur Deane scored a success as Danny Man, and as Myles Mr. Frank A. Wood was seen to capital advantage. The O’Moor of Mr Somers was another good effort. The part of Anne Chute was portrayed in an artistic manner by Miss Ludlam, while as Eily O’Connor Miss Lily Heenan sang and acted charmingly. The orchestra and chorus were also deserving of praise. At a well-attended matinee performance of “Faust” yesterday, the principal parts were well sustained by Mr. William Stephens (Faust), Mr. A. Winckworth (Mephisto), Mr. G. Whitehead (Valentin), and Miss Marie Titiens (Marguerita)” [Manchester Courier and Lancashire General Advertiser, Volume: 76, Issue: 13471, Thursday, Jan. 11, 1900] | |
| Thu 11th Jan 1900 | Satanella – |
| Fri 12th Jan 1900 | Lohengrin – Marie Titiens, Jessie Browning , Reginald Brophy, George Whitehead, Arthur Deane, Mr Winckworth, |
| “REGENT THEATRE.,On Thursday night a large audience assembled to witness a performance of Balfe’s “Satanella,” which was given with admirable success by the Carl Rosa Opera Company. Wagner’s “Lohengrin” was in the bill for last night, and a spirited performance of this opera was witnessed by a fairly well-filled house the title role was filled by Mr. Reginald Brophy, whose singing and acting were alike effective. As Frederick of Telramund, Mr George Whitehead was successful, and as the Herald, Mr. Arthur Deane acquitted himself well. Mr Winckworth as Henry the Fowler, Miss Jessie Browning as Ortrud and Miss Marie Titiens as Elsa also rendered good service. The Orchestra and Chorus were also satisfactory. For tomorrow night “The Bohemian Girl” is billed” [Manchester Courier and Lancashire General Advertiser, Volume: 76 , Issue: 13473, Saturday, Jan. 13, 1900] | |
| Sat 13th Jan 1900 | The Bohemian Girl |
15 – 24 Jan [??]
| 25 – 27 Jan [three nights only] Oxford, New Theatre | |
| There used to be a blank at the New Theatre during Lent, but this year, save for one week, there is an unbroken continuity of engagements up to within a few days of the end of term. Prominent among them is a first visit to Oxford of the Carl Rosa Opera Company, which takes place at the end of this week. – “Tannhauser,” “Lohengrin.” and “Carmen” being the works selected for production.” [Western Daily Press, Issue: 12989, Tuesday, Jan. 23, 1900] | |
| Thu 25th January 1900 | Tannhauser – Cecile Loraine, Miss Ludlam, William Stephens ,Arthur Deane, Arthur Winckworth, Frank A. Wood; c.Eugene Goossens |
| “The Carl Rosa Opera Company, under the direction of Mr, T. H. Friend, gave a performance of “Tannhauser” on Thursday night before a large e audience. It is the first visit of this company to Oxford, and though the performance scarcely comes up to that of the last opera company which visited us the representation was good on the whole. The orchestra conducted by Mr. Eugene Goossens, jun, gave an excellent interpretation of the overture but later there were signs of inadequate rehearsal, also some little difficulty from the crowded position of the instruments. Mr. William Stephens possesses a voice of excellent quality, his appearance is good and he has considerable dramatic power. ln the second act he was very good, and in the third he rose to a great height of declamatory force; a sudden lapse of memory detracted from the effect of the first scene, Miss Cecile Loraine was successful as Elisabeth, and the Venus of Miss Ludlam was effective. Mr. Arthur Deane sang and acted well in the character of Wolfram; the familiar “Star of Eve” was, as usual, greatly appreciated. Mr. Arthur Winckworth looked the part of the Landgrave to the life, and his singing was satisfactory, except that he started his first song a little out of tune. Mr. Frank A. Wood was the Walter, and Mr. Chapman as Biterolf made a special impression with the song “When love divine.” The opening of the first act was too pantomimic to be impressive, but the Pilgrim’s Song and the March were very well done. The concluding scene was also good.-This (Friday) evening Mr. Goossens will conduct “Lohengrin,” and on Saturday “Carmen” will lie given.” [Jackson’s Oxford Journal, Issue: 7663, Saturday, Jan. 27, 1900] | |
| Fri 26th Jan 1900 | Lohengrin |
| Sat 27 Jan 1900 | Carmen |
| 29th Jan – 3rd Feb [1 week] Swansea, Grand Theatre – “The Royal Carl Rosa Opera Company” | |
| “GRAND THEATRE, SWANSEA. The pantomime'”Cinderelia,” to, which we referred last week, holds the boards of the Grand Theatre, Swansea,.during this week, it runs very smoothly and satisfactorily. ‘ The Carl Rosa Opera” Company ‘is billed ‘for this theatre next week” [Western Mail, Issue: 9562, Tuesday, Jan. 16, 1900] | |
| Mon 29th Jan 1900 | Carmen – Florence Lelgard, Cecile Lorraine, Jessie Browning, Reginald Brophy, Arthur Deane, Arthur Winkesworth; c.Mr Walter Van Noorden |
| CARL ROSA OPERA COMPANY AT SWANSEA – There was a crowded house and a really artistic performance at the Grand Theatre, Swansea, on Monday evening, when the Carl Rosa Opera Company opened for the first time to a Swansea audience. The reception of the famous company was really enthusiastic, whilst the general performance completely satisfied the crowd, who made their first acquaintance with the well-known company. The opera selected for the first night was “Carmen,” and each of the principal artistes appeared practically perfect. The enunciation was noticeably good. Messrs. Reginald Brophy (a well-known Swansea singer), Arthur Deane, and Arthur Winkesworth, Miss Florence Lelgard, Miss. Cecile Lorraine, and last, but not least, the heroine, Miss Jessie Browning, were all in excellent voice, and the irresistible attractions, the Toreadors’ virile and declamatory song, the Letter Duet, the Castanet Dance, the Card Song, &c., worked surely upon the large audience. The programme for the week is splendidly varied.” [Western Mail, Issue: 9575, Wednesday, Jan. 31, 1900] “The Royal Carl Rosa l opera company, directed by Mr T. H, Friend, has paid a first visit to the town this week. Carmen was selected for Monday, and an admirable performance was given. Miss Jessie Browning appeared in the title role. Mr Reginald Brophy (Don Jose), Miss Cecile Lorraine (Michaela), and Mr Arthur Deane (Escamillo) each rendered their numbers in excellent style. The chorus, too, was exceptionally good, and Mr W. F. Hulley’s orchestra, augmented by a number of instrumentalists attached to the company, was under the baton of Mr Walter Van Noorden.” [The Era, Issue: 3202, Saturday, Feb. 3, 1900] | |
| Tue 30th Jan 1900 | Satanella |
| Wed 31st Jan 1900 | Faust |
| Thu 1st Feb 1900 | Maritana |
| Fri 2nd Feb 1900 | Lohengrin |
| Sat 3rd Feb 1900 | The Bohemian Girl |
| 5 – 10 Feb ??? “Drill Hall” ?? [Derby???] | |
| “DRILL HALL-Manager. Mr Lovesey.-The Carl Rosa opera company came here on Monday and Tuesday, and gave representations of “Tannhauser” and “Faust” to large and appreciative audiences. Miss Cecila Lorraine, who undertook the part of Elizabeth in Wagner’s opera, had a flattering reception. The principal parts were rendered by Mr William Stephens, the Tannhauser; Mr Arthur Deane, Wolfram; Mr Arthur Winckworth, the Landgrave; and Mr P. Somers, Henrich. The performance was brilliant and effective, and probably was the finest exposition of grand opera ever given in this city. Mr Eugene Goosens, jun., and Mr Walter Van Noorden conducted in irreproachable style.” [PROVINCIAL THEATRICALS; The Era, Issue: 3203, Saturday, Feb. 10, 1900] |
| 12th – 17th Feb [1 week] Cardiff, Grand Theatre | |
| Mon 12th Feb 1900 | Tannhauser – Cecile Lorraine, William Stephens, Frank Wood, Arthur Deane; c.Eugene Gossens |
| “GRAND THEATRE, CARDIFF – All Cardiff and alt music and art lovers for a long way round extend a hearty welcome to the re-appearance of the Royal Carl Rosa Opera Company, which this week visits the, Grand Theatre after an absence of just twelve months. The company, under the direction of Mr. T. H. Friend, is as good as ever. In fact, one may go further, and say that, whilst many of the old favourites. notably Mr. Brophy, Mr. Arthur Deane, Mr. Winksworth. Mr. Frank Wood, Mr. Somers, Miss Ludham, and Miss Cecile Lorraine have been retained, the management have been most fortunate in selecting what the sports would call a rare a strain of new blood. The opening night on Monday found the Grand with a most encouraging and keenly sympathetic house. It was at happy arrangement to bring on first the charming opera, “Tannhauser.” which has been. so great a favourite with all classes in music-loving Wales, whose recollections of the lovely chorus, “Hail, bright abode,” in the second act is such an inspiration. It is not too much to say that the performance was a good deal better than that which was shown last year, good as that was, the whole rendering, from the delightful charm and great vocalism of Miss Cecile Lorraine as “Elizabeth” down to the minute parts of the chorus, being under of the baton of Mr. Eugene Gossens, simply perfect and delightfully fascinating. As “Tannhauser,” Mr. William Stephens was in masterful strain. It is not too much to say of the orchestra, upon which so much of the success of the work depends, that it was quite equal to the high Carl Rosa reputation. This (Tuesday) evening “Carmen” will be produced with all the glory of vocalism which Mr. Brophie and Miss Titiens can throw into it. Tomorrow – (Wednesday) “Satanella” will be staged on Thursday night “II Trovatore” on Friday “Faust,” and the week will wind up to with the popular favourite, “The Bohemian Girl.” [Western Mail, Issue: 9586, Tuesday, Feb. 13, 1900] | |
| “GRAND THEATRE -Lessee and Manager, Mr Edward Quigley-The Royal Carl Rosa Opera Company, under the direction of Mr T. H. Friend, made a welcome reappearance on Monday night. Many of the old favourites are still with this world-famed operatic combination, notably Mr Reginald Brophy, Mr Arthur Deane, Mr Frank Wood, Miss Cecile Lorraine, and Miss Marie Titiens. The opening opera was Tannhauser, which drew a most encouraging and sympathetic house. The delightful charm and vocalism of Miss Cecile Lorraine as Elizabeth was especially fascinating. Mr William Stephens was in excellent voice as Tannhauser. Mr Frank Wood as Walter and Mr Arthur Deane as Wolfram both appeared to great advantage. On Tuesday Carmen was staged, Miss Jessie Browning making a picturesque Carmen, and Mr Reginald Brophy an exceedingly good Don Jose. Balfe’s romantic opera of Satanella was announced for Wednesday, Miss Marie Titiens making her first appearance this week as Satanella. The orchestra, under the able baton of Mr Eugene Goossens, maintains the high reputation of the Carl Rosa company. The chorus and ballet are everything to be desired, the operas being produced under the able supervision of Mr T. H. Friend.” [The Era, Issue: 3204, Saturday, Feb. 17, 1900] | |
| Tue 13th Feb 1900 | Carmen – Jessie Browning, Reginald Brophy, Marie Titiens |
| Wed 14th Feb 1900 | Satanella– Marie Titiens, Reginald Brophy; c.Eugene Goossens |
| Thu 15th Feb 1900 | Il Trovatore – Maria Titiens, Jessie Browning, William Stephens, |
| “The Carl Rosa Opera Company have had a very successful week at the Grand Theatre, in spite of the inclemency of the weather. There was a very good attendance on Thursday night, when the favourite opera, “Il Trovatore,” was rendered. Miss Maria Titiens took the part of “Leonora,” and her exquisite rendering of the difficult music was greatly appreciated. Miss by Jessie Browning as “Azucena” also sang beautifully, while “Manrico” (Mr. William Stephens) won great applause, and his song within the tower, which is, perhaps, the most familiar item in the opera, had to be repeated. There is a matinee of “Tannhauser” to-day, and in the evening “The Bohemian Girl” will be performed, and I strongly advise those who have not already availed themselves of the opportunity on no account to miss such a musical treat.” [Western Mail, Cardiff, Saturday, Feb. 17, 1900] | |
| Fri 16th Feb 1900 | Faust– Reginald Brophy |
| Sat 17th Feb 1900 (m) | Tannhauser |
| Sat 17th Feb 1900 (e) | The Bohemian Girl– Reginald Brophy |
| 19th – 24th Feb [1 week] Newport, Lyceum Theatre | |
| Mon 19th Feb 1900 | Carmen – Jessie Browning, Cecile Lorraine, Florence Lelgarde, Miss Ludham, Albert Chapman, Reginald Brophy, Arthur Deane, Frank Wood |
| “LYCEUM – Proprietor, Mr C. Sounes, Acting Manager, Mr E. E. Grime -The Carl Rosa opera company opened on Monday with Carmen. Principals, chorus, and orchestra vied with each other in giving an interpretation of Bizet’s charming composition in a manner which left little to be desired. As Carmen Miss Jessie Browning sang with admirable taste and judgment, and was eminently successful. As Don Jose Mr. Reginald Brophy throughout sang and acted with a point and vigour that fully sustained his excellent reputation; Mr. Arthur Deane sang beautifully in a the part of Escamillo, the popular Toreador song securing an encore; Miss Cecile Lorraine as Michaela sang in fine style, and not less creditable was the work of Miss Florence Lelgarde as Frasquita. Miss Ludham, in the character of Mercedes, with a rich voice, sang with taste, whilst Mr. Albert Chapman as Dancairo acted and rendered his musical numbers with exceptional power. As Remendado Mr. Frank Wood was highly successful, and other parts were in capable hands. The chorus was well balanced, the orchestra, conducted by Mr Walter Van Noorden with extreme care and watchfulness, was thoroughly satisfactory. On Tuesday Tannhauser was produced, a Maritana on Wednesday, Satanella being billed for Thursday, and Lohengrin for Friday.” [The Era, Issue: 3205, Saturday, Feb. 24, 1900] | |
| Tue 20th Feb 1900 | Tannhauser |
| Wed 21st Feb 1900 | Maritana |
| Thu 22nd Feb 1900 | Satanella |
| Fri 23rd Feb 1900 | Lohengrin |
| Sat 24th Feb 1900 (m) | Faust |
| Sat 24th Feb 1900 (e) | The Bohemian Girl |
| ?? – ?? Feb [4 nights] Shrewsbury, Theatre Royal | |
| ?? | Tannhauser – Cecile Loraine, Miss Ludlam, William Stephens, Arthur Deane, Arthur Wincksworth |
| “SHREWSBURY – THEATRE ROYAL – Licensee and Manager, Councillor W. H. Maddox – The Carl Rosa opera company has just fulfilled a four nights engagement here in Tannhauser, Faust, Lohengrin and Carmen. Miss Cecile Loraine who appeared as Elizabeth in Tannhauser, delighted the audience with her vocalisation and dramatic power. Miss Ludlam, with a voice of great range and power, sang the music allotted to Venus admirably, and as Tannhauser, Mr. William Stephens won the favour of the house. Mr Arthur Deane made an ideal Wolfram and Mr Arthur Wincksworth, too, scored a great success as the Landgrave.” [The Era, Issue: 3204, Saturday, Feb. 17, 1900] | |
| ?? | Faust |
| ?? | Lohengrin |
| ?? | Carmen |
| 26th Feb – 3rd Mar [1 week?] Worcester, Theatre Royal | |
| Mon 26th Feb 1900 | Carmen – Jessie Browning, Miss Ludlam, Miss Lilgard, Reginald Brophy, Marie Titiens, Arthur Deane, Albert Chapman, F. A. Wood, Messrs Whitehead, Davis, and Somers; c.W. Van Noorden |
| “WORCESTER – THEATRE ROYAL – Lessee and Manager, Mr W. Gomersal -The Carl Rosa opera company opened here on Monday with Bizet’s Carmen, which drew a large audience The title-role was ably impersonated by Miss Jessie Browning, who gave a clever, artistic performance, vocally and histrionically. She received well-deserved encores for all her numbers. Mr Reginald Brophy’s Don Jose was a fine dramatic performance, marred only by a coll. Miss Marie Titiens as Micaela was an undoubted success, her charming singing evoking great enthusiasm. Mr Arthur Deane as Escamillo scored heavily, especially in the air “Toreador.” Mr Albert Chapman and Mr F. A. Wood as Dancairo and Remendado imparted much humour to their roles. Miss Ludlam (Mercedes), Miss Lilgard (Frasquita); Messrs Whitehead (Zuniga), Davis (Lilas Pastia), and Somers (Morales), rendered very efficient aid in a fine all-round performance. The chorus was – effective, and the dances were cleverly executed. Mr W. Van Noorden was a most efficient conductor. During the week Tannhauser, Faust, Satanella, Lohengrin, arid Maritana have been produced.” [The Era, Issue: 3206, Saturday, Mar. 3, 1900] | |
| “Allusion to the Theatre, where the initial performance of the talented Carl Rosa Opera, Company this week was that of ” Carmen,” reminds me that Miss Olga Nethersole, who is well known here, has attained a certain amount of notoriety by the kiss which she, as the peasant girl, gave to the soldier lover ” for his mother.”” At Worcester Miss Titiens gave Mr. Brophy a most chaste salute on the forehead, which even Mrs. Grundy could not have found fault with; and I was somewhat perplexed — having so little personal knowledge of the subject — to imagine in what manner Miss Nethersole could have offended. I fancy Byron (who was a pretty good judge of such trifles) says something about “the kiss ecstatic” and “the kiss divine “; but Master Willie Shakespeare far out-distances the more modern poet in his vocabulary on the art. He wrote about “a holy kiss,” “a gentle kiss,” “a zealous kiss,” “a kiss long as my exile, sweet as my revenge,” “a true love’s kiss,” “dainty kisses,” “a single, famished kiss,” “a kiss with the inside lip,” “one soft kiss,” “kissing full of sanctity,” and “Winter’s kisses.” He makes one of his characters “quicken with kissing”; another says her husband would “kiss me hard, as if he plucked up kisses by the root”; another complains “that kiss’ is comfortless.” Romeo and Juliet, it appears, used to “kiss like fire and powder, which as they kiss consume.” Someone else asks, “in kissing do you render or receive?” And another is so hungry for a salute as to ask, “O, kiss me through the hole of this vile wall” — rather unsatisfying, one would imagine, differing altogether from that with which Petruchio saluted Katharina, as he “kissed her lips with such a clamorous smack that, at the parting, all the church did echo”; different, also, from that amorous individual who “would kiss you twenty with a breath.” Evidently he did not “kiss by the book,” and it would have been futile for the lady to imagine that she could stop his mouth with a kiss, even “though she might say, “I understand thy kisses, and thou mine.” To “die upon a kiss” must be a somewhat remarkable experience; I wonder whether it is like “tins kiss, which, if it durst speak, would stretch thy spirits up into the air?” Aa there is no authority to consult on the point, I must return to Miss Olga Nethereole and her sensational kiss, which, I have never heard, seen, or experienced, and therefore could not “mark, learn, or inwardly digest.” In default of this I can only add that the sound of it was likened by a New York journalist “to a cow pulling its hind leg out of the mud!” [Worcestershire Chronicle, Volume: 62 , Issue: 3234, Saturday, Mar. 3, 1900] | |
| Tue 27th Feb 1900 | ?? |
| Wed 28th Feb 1900 | ?? |
| Thu 1st Mar 1900 | Faust – Marie Titiens, Jessie Browning |
| “AT WORCESTER THEATRE ROYAL. A scene of great enthusiasm was witnessed at the Theatre Royal on Thursday evening. A very large audience assembled, and before the performance of “Faust” the entire Carl Rosa company joined in singing the National Anthem. When the curtain rose the company were seen grouped on the stage, behind a pedestal, draped with the Union Jack, supporting a representation of the Queen’s head, crowned with a laurel wreath. On one side stood the Mayor of Worcester (Aid. Millington) wearing his robe and chain of office, and on the other stood Mr. W. Gomersal, lessee of the Theatre in evening dress. The principal artistes of the company were also to the fore. At the first strains of the anthem, the whole audience rose, and stood uncovered until it was concluded. The first verse was sung by Miss Titiens, the second by Miss Browning, and the third by all chorus, principals, and audience, with full band, numbering nearly 30, producing a magnificent effect. As the curtain fell three cheers, which were more like one continuous roar, was given, with “another for Mr. Gomersal,” and the audience settled down to enjoy the performance. Some enthusiastic spirits commenced “The Soldiers of the Queen,” but that was abandoned when the orchestra struck up the first few bars of the overture to “Faust.” The performance was a very finished one in all respects, and, as may be supposed, the “soldiers’ chorus” was a very popular feature. To-night ” Lohengrin” will be performed; tomorrow afternoon ” Tannhauser will be repeated; and at night “Maritana” fills the bill.” [Worcestershire Chronicle, Volume: 62, Issue: 3234, Saturday, Mar. 3, 1900] | |
| THE RELIEF OF LADYSMITH – “…The Mayor of Worcester (Alderman J. Millington) has appealed to employers in the city to observe Thursday next as a general holiday in celebration of the relief of Ladysmith. The appeal has been very generally acceded to, and there will be a programme of public rejoicing. On Thursday night appeared on the stage the Royal Carl Rosa Opera Company, appearing this week at the Theatre Royal appeared on the stage prior to the performance, with the Major in robes and chain of office, and sang the National Anthem in which the large audience enthusiastically joined.” [Birmingham Daily Post, Issue: 13018, Saturday, Mar. 3, 1900] | |
| Fri 2nd Mar 1900 | Lohengrin |
| Sat 3rd Mar 1900 (m) | Tannhauser (repeat) |
| Sat 3rd Mar 1900 (e) | Maritana |
| 5th – 10th Mar [1 week] Broadway Theatre, New Cross E.C. | |
| Mon 5th Mar 1900 | Faust – Cecile Lorraine, Winifred Ludlam, Miss Douglas Wilson, Reginald Brophy, Arthur Winckworth, Haigh Jackson, Mr A. Chapman; c.Mr. Eugene Goossens, jun., & Mr. Walter van Noorden |
| “It was pleasant on Monday last to see the liberal catering of the enterprising management of this fine theatre rewarded with a crowded house on the occasion of the reappearance of the Carl Rosa opera company, under the management of Mr. T. H. Friend. The performance of Faust on Monday was satisfactory in the extreme. Mr. Reginald Brophy acted the title-part with skill ad effect and his voice was heard to advantage. In the character of Mephistopheles Mr. Arthur Winckworth evinced a true conception of this arduous role. As Valentine, Mr Haigh Jackson portrayed naturally the burning indignation of the angry brother, and to the Wagner of Mr A. Chapman unreserved praise must be given. Miss Winifred Ludlam, looking very handsome in Siebel’s boy’s attire, speedily proved by her fine acting and singing that she did not rely on physical gifts alone, but that her dramatic and vocal attainments were of an exceptional order. Miss Douglas Wilson infused a welcome amount of humour into her clever rendition of Martha. Miss Cecile Lorraine as Marguerite, in the matter of artistic merit, left nothing to be desired: her acting was easy and graceful, while her singing was at all times cultured and harmonious. The vocalists were supported by an efficient band of choristers. the Guards’ chorus being received with acclamation. The orchestra, so ably conducted by Mr. Eugene Goossens, jun., and Mr. Walter van Noorden gave the utmost satisfaction. The opera was finely dressed and mounted.” [The Era, Issue: 3207, Saturday, Mar. 10, 1900] | |
| Tue 6th Mar 1900 | Il Trovatore |
| Fri 9th Mar 1900 | Satanella |
| Sat 10th Mar 1900 | ?? |
| 12th – 17th Mar [1 week] Brighton, Theatre Royal | |
| Mon 12th Mar 1900 | Tannhauser – |
| Tue 13th Mar 1900 | Faust |
| Wed 14th Mar 1900 | Satanella |
| Thu 15th Mar 1900 | Maritana |
| Fri 16th Mar 1900 | Carmen |
| “…The Carl Rosa Company are also now launching out a little, and tomorrow night they have arranged to produce at Brighton and English version of the Italian opera “A Basso Porto”, Miss Marie Titiens will play the principal part, Miss Ludlow will be “Marie,” and Mr. Goosens will conduct.” [Glasgow Herald, Issue: 66, Saturday, Mar. 17, 1900] | |
| Sat 17th Mar 1900 | A Basso Porto – Marie Titiens, Miss Ludlam; c. Eugene Goosens |
| “AMUSEMENTS IN BRIGHTON – THEATRE ROYAL – Lessee and Manager, Mr H. R. Cecil Beryl; Acting-Manager, Mr A. Wheeler – The Royal Carl Rosa Opera company opened a week’s engagement here on Monday with Tannhauser. Miss Cecile Lorrain gave a graceful and artistic representation of Elizabeth. Mr William Stephens was highly successful as Tannhauser. Mr Arthur Deane merits unstinted praise for his splendid vocalisation as Wolfram. Miss Winifred Ludlam sang brilliantly as Venus. Mr Arthur Winckworth was an impressive Landgrave. Miss E. Thomas as the Shepherd Boy and Mr Albert Chapman as Biterolf were very effective. Able Support was also given by Mr A. Felton, Mr F. Somers, and Mr G. Wood. The choruses were well sung, and the orchestra acquitted themselves admirably, Mr Eugene Goossens, jun., conducting with marked skill. The programme for the week also included Faust, Satanella, Maritana, Carmen, and A Basso Porto, the last-named being produced this (Saturday) evening for the first time in England.” [The Era, Issue: 3208, Saturday, Mar. 17, 1900] / “ROYAL CARL ROSA OPERA COMPANY, under the Direction of Mr T. H. FRIEND. Production of “A BASSO PORTO.” Sussex Daily News says: A very enthusiastic reception was given to Spinelli’s romantic opera, “A Basso Porto.” on Saturday evening, when it was performed for the first time in England at the Theatre Royal, Brighton. On the termination of each act the principal vocalists were warmly recalled, and when the curtain fell upon the stirring scene which brought the opera to a close, another flattering ovation was accorded to them and to Mr Eugene Goossens, jun., the able conductor. Sunday Times says: The performance went splendidly, and there were enthusiastic calls after each act from all parts of a crowded house.” [The Era, Issue: 3210, Saturday, Mar. 31, 1900] |
| 19th – 24th March [1 week] New Theatre Royal, Portsmouth | |
| Mon 19th Mar 1900 | Tannhauser – Cecile Lorraine, Winifred Ludlam, Miss E. Thomas, William Stephens, Arthur Deane, Arthur Winckworth, Albert Chapman, Mr. A. Felton, Mr. F. Somers, Mr. G. Wood; c.Mr. Eugene Goossens, jun. |
| “THEATRE ROYAL – Lessee and Manager, Mr. H. R. Cecil Beryl; Acting-Manager, Mr. A. Wheeler. – The Royal Carl Rosa Opera company opened a week’s engagement here on Monday with Tannhauser. Miss Cecile Lorraine gave a graceful and artistic representation of Elizabeth. Mr. William Stephens was highly successful as Tannhauser. Mr. Arthur Deane merits unstinted praise for his splendid vocalisation as Wolfram. Miss Winifred Ludlam sang brilliantly as Venus. Mr. Arthur Winckworth was an impressive Landgrave. Miss E. Thomas as the Shepherd Boy and Mr. Albert Chapman as Biterolf were very effective. Able Support was also given by Mr. A. Felton, Mr. F. Somers, and Mr. G. Wood. The choruses were well Sung, and the orchestra acquitted themselves admirably, Mr. Eugene Goossens, jun., conducting with marked skill. The programme for the week also included Faust, Satanella, Maritana, Carmen, and A Basso Porto, the last-named being produced this (Saturday) evening for the first time in England.” [The Era, Issue: 3208, Saturday, Mar. 17, 1900] | |
| “THEATRE ROYAL – Licensee and Manager, Mr. J. W. Boughton. – The Royal Carl Rosa opera company, under the direction of Mr T. H. Friend, is paying a welcome return visit, and on Monday evening, when Tannhauser was presented, the conductor, Mr Eugene Goossens, jun., had both orchestra and chorus well in hand, the more difficult passages being rendered in a masterly way. Mr. William Stephens gave an excellent interpretation of the part of Tannhauser, and his fine voice was heard to great advantage in the opening scene and in the song tournament, whilst in the final scene his ability as an actor left nothing to be desired. Miss Cecile Lorraine has a powerful yet sympathetic voice, which she has many opportunities of using to the utmost advantage as Elizabeth, a character she sustains with the utmost success, and Mr. Arthur Deane gives a capital rendering of Wolfram. Mr. Arthur Winckworth’s splendid voice does ample justice to the part of the Landgrave, and Miss Ludlam is successful as Venus, as also are Mr. Frank A. Worth as Walter, Mr. Albert Chapman as Biterolf, Mr. P. Somers as Heinrich, Mr. G. Wood as Reinmar, and Miss E. Thomas as the Shepherd Boy. On Tuesday Carmen was presented with equal success, with Miss Jessie Browning as Carmen, Miss Marie Titiens as Michaela, Mr. Reginald Brophy as Don Jose, and Mr. Arthur Deane as Escamillo. On Wednesday Balfe’s Satanella was revived, and Maritana on Thursday, and Lohengrin on Friday.” [The Era, Issue: 3209, Saturday, Mar. 24, 1900] | |
| Tue 20 Mar 1900 | Carmen – Marie Titiens, Jessie Browning, Reginald Brophy, Arthur Deane |
| Wed 21st Mar 1900 | Satanella |
| Thu 22nd Mar 1900 | Maritana |
| Fri 23rd Mar 1900 | Lohengrin – Marie Titiens, Reginald Brophy |
| Sat 24 Mar 1900 (m) | Faust |
| Sat 24 Mar 1900 (e) | The Bohemian Girl |
26 -31 Mar ????
| 13th Apr – Derby, Drill Hall | |
| Fri 13th Apr 1900 | Good Friday Evening GRAND SACRED CONCERT by the CARL ROSA OPERA COMPANY – Including Full Orchestra and Chorus and Miss Marie Titiens, Miss Jessica Browning, Miss Winifred Ludlum, Miss Marie Burnett, Mr Haigh Jackson, Mr. Arthur Deane, Mr. William Stephens and Mr. Arthur Winckworth. |
| “In view of the promised visit of the Carl Rosa Opera Company to the Grand Theatre, peculiar interest attaches to the announcement made by this renowned organisation with respect to Good Friday next. On the afternoon of that day a number of the principals supported by orchestra and chorus, will give a sacred concert. On such an occasion, much will necessarily depend upon the weather. Should the day prove dull and wet, the Drill Hall is sure to be well filled, but in any case a great many will be attracted by a programme which included Rossini’s “Stabat Mater,” and numerous gems of sacred song, and which will be by eminent artists. The conductors will be Mr. Eugene Goossens, junior, and Mr. Walter Van Noorden.” [Derby Daily Telegraph, Volume: 42 , Issue: 6363, Monday, Apr. 9, 1900] “The visit of the Carl Rosa Opera Company the week after next to the Grand Theatre will of itself be a powerful attraction, but there is one announcement made which will be read with extreme pleasure by all lovers of the highest form of vocal musical art – we refer to the performance in the Drill Hall on the afternoon of Good Friday of Rossini’s “Stabat Mater” and gems of sacred song. It is not often that we have the opportunity locally of witnessing the performance of an oratorio of this class by an experienced orchestra and thoroughly competent chorus and vocalists, and there will assuredly be no lack of people anxious to hear the last important work of a genius possessed of an unsurpassable gift of melody; Popular prices will be charged for admission, and the conductors will be Mr. Eugene Goossens and Mr. Walter Van Noorden” [Derby Mercury, Issue: 9665, Wednesday, Apr. 11, 1900] |
| > Eastbourne ? ( as mentioned in The Era) ?? | |
| 2nd – 7th Apr [1 week] Southport, Opera House, Winter Gardens | |
| Mon 2nd Apr 1900 | Tannhauser – Cecile Lorraine, Miss E. Thomas, William Stephens, Arthur Winckworth, Arthur Deane, Frank A. Wood, Albert Chapman, P. Somers, A. Newman |
| Tue 3rd Apr 1900 | Faust |
| Wed 4th Apr 1900 | Carmen |
| Thu 5th Apr 1900 | The Bohemian Girl |
| Fri 6th Apr 1900 | A Basso Porto |
| Sat 7th Apr 1900 (m) | Lohengrin |
| Sat 7th Apr 1900 (e) | Maritana |
| “SOUTHPORT – OPERA HOUSE – WINTER GARDENS, Limited. -The patrons of the theatre are favoured with a visit from the Carl Rosa Opera company, who opened a six nights’ engagement here on Monday, Wagner’s opera, Tannhauser being presented. Miss Cecile Lorraine gave a graceful and finished interpretation of Elizabeth, her vocalism being of exceptional merit. Miss Ludlam imparted a charm to the part of Venus, and Miss E. Thomas displayed very artistic vocalisation as the Shepherd Boy. Mr William Stephens was eminently successful in the title-role, alike in a dramatic and vocal sense. As the Landgrave Mr. Arthur Winckworth showed a thorough grasp of the character, his singing being very effective. Wolfram received full justice at the hands of Mr. Arthur Deane, whilst Messrs Frank A. Wood, Albert Chapman, P. Somers, and A. Newman creditably enacted their respective parts. Incidental dances were cleverly performed by Miss Annie Elliott and Miss Rosina Crabbe. On Tuesday evening Faust was produced. During the week Carmen, The Bohemian Girl, A Basso Porto, Lohengrin, and Maritana were to he staged.” [The Era, Issue: 3211, Saturday, Apr. 7, 1900] | |
| “Niccola Spinelli, one of the mast energetic representstives of Young Italy in the domain of music, is likely to attract attention in London during the coming season. Negotiations are in progress for a series of matinees at the Lyric Theatre by the reorganised Carl Rosa Opera Company, with Spinelli’s “A Basso Porto” (recently tried at Brighton) as a leading feature. With his “Labilia” this composer was adjudged second to Pietro Mascagni in the memorable contest that brought forth Cavalleria Rusticana” ten years ago. Mascagni, Leoncavallo, and Puccini so long carried all before them in Italy that Spinelli took “A Basso Porto” to Cologne, where it was very cordially received, and it has been played in Berlin with success. The strongly dramatic story, from a Neapolitan source, deals with Camorristic treachery.” [Birmingham Daily Post, Issue: 13055, Monday, Apr. 16, 1900] |
| 9th Apr Nottingham, Theatre Royal (The Era) ?? | |
| [Sat] 14th Apr [? possibly a misprint for Mon 16th] – 21st Apr [1 week +/- ???] Norwich, Theatre Royal | |
| Sat 14th Apr 1900 (or possibly 21st) | Faust – Reginald Brophy, Arthur Winckworth, Haigh Jackson, Mr. A. Chapman, Anita Sutherland, Miss C. Wilson, Miss Cecile Lorraine |
| Mon 16th Apr 1900 | Maritana – William Stephens, Haigh Jackson, Albert Chapman, Mr. Silverston, Mr. Davis, Mr. A. Felton, Miss Marie Burnet, Miss E. Thomas, Miss Cecile Lorraine |
| Tue 17th Apr 1900 | The Bohemian Girl – |
| Wed 18th Apr 1900 | Carmen |
| Thu 19th Apr 1900 | Lohengrin |
| Fri 20th Apr 1900 | A Basso Porto |
| “NORWICH, THEATRE ROYAL – Lessee, Mr. Fred Morgan.-The Royal Carl Rosa opera company, under the direction of Mr T. H. Friend, opened here on Saturday, when Gounod’s Faust was presented. Mr. Reginald Brophy as Faust sang with much ability; Mr. Arthur Winckworth as Mephistopheles both in voice and acting was excellent; Mr Haigh Jackson capably filled the part of Valentine; and Mr. A. Chapman was successful as Wagner. Miss Anita Sutherland as Siebel was in good voice, and Miss C. Wilson was well placed as Martha. Miss Cecile Lorraine as Marguerite sang with much fervour and charm, and largely contributed to the success of the opera. On Monday the house was a crowded from floor to ceiling to witness the rendering of Maritana. Mr. William Stephens was excellent as Don Cesar De Bazin, whilst Mr. Haigh Jackson rendered Don Jose in first-rate style. Mr. Albert Chapman as the King of Spain deserves every commendation, and Mr. Silverston was good as the Captain of the Guard. Mr. Davis was equally satisfactory as the Alcade, and Mr. A. Felton did well as the Marquis. Miss Marie Burnet delightfully rendered her part as Lazarillo, and Miss E. Thomas was very charming as the Marchioness. Miss Cecile Lorraine again gave every delight to the audience as Maritana, and deserves every praise. On Tuesday Balfe’s Bohemian Girl was staged; on Wednesday Bizet’s Carmen was performed; on Thursday, Wagner’s Lohengrin; and on Friday, Spinelli’s A Basso Porto.” [The Era, Issue: 3213, Saturday, Apr. 21, 1900] |
| 23rd – 28th Apr [1 week] Derby, Grand Theatre | |
| Mon 23rd Apr 1900 | Carmen – Jessie Browning, Marie Titiens, Miss Ludlam, Miss Florence Lelgard, Reginald Brophy, Arthur Deane, Albert Chapman, Frank Wood, Isidor Marcil, Mr. P. Somers; c.Walter Van Noorden |
| “DERBY, GRAND THEATRE AND OPERA HOUSE. – General Manager, Mr. Ernest Gerard; Acting-Manager, Mr. Chas. Denley – The Carl Rosa Opera Company is in a occupation this week. On Monday Carmen was the attraction. Miss Jessie Browning, as the heroine, scored a distinct and well-merited success. Her singing was full of charm and artistic power throughout. To a mezzo-soprano voice of great richness and considerable range Miss Browning unites the advantages of culture and high intelligence. Mr. Reginald Brophy, who is an able and conscientious artist, acted and sang with great fervour and effect as Don Jose. Miss Marie Titiens was a most agreeable representative of Michaela, her pure, light soprano voice being well adapted to the melodious numbers assigned her, whilst Miss Ludlam and Miss Florence Lelgard made the very best use of their opportunities as Mercedes and Frasquita. A dashing and powerful exponent of the Toreador was forthcoming in the person of Mr. Arthur Deane, earnestness and intelligence being observable in all he did. Mr. Albert Chapman and Mr. Frank Wood as the chief smuggler and his craven assistant turned to best account the humorous incidents of the story, and Miss Isidor Marcil and Mr. P. Somers lent valuable assistance in the subordinate parts of Zuniga and Morales. Mr Walter Van Noorden conducted a capital band, and the chorus displayed high of evidence of capability and good training. On Tuesday Tannhauser was given, with Mr Wm. Stephens as the hero and Miss Cecile Lorraine as the Princess. The Bohemian Girl, Faust. A Basso Porto, Lohengrin, and Maritana were to be produced later in the week.” [The Era, Issue: 3214, Saturday, Apr. 28, 1900] | |
| Tue 24th Apr 1900 | Tannhauser – Mr. Wm. Stephens, Miss Cecile Lorraine, Mr. Arthur Deane, Mr. Arthur Winckworth, Mr. Frank A. Wood, Mr. Albert Chapman, Mr. P. Somers, Mr. Isidor Marcil. Miss Ludlam, Miss E. Thomas , c.Mr, E. Goosens, junior |
| “ROYAL CARL ROSA OPERA COMPANY. – FINE PERFORMANCE OF ‘TANNHAUSER.” – Finished as was the representation of “Carmen,” that of “Tannhauser” on Tuesday was distinctly more brilliant and impressive. Wagner’s great work had been given on a previous occasion, but without the least desire to disparage the meritorious efforts of the late Mr. Arthur Rousbey and his associates, it may safely he said that its wondrous beauty and its full significance were locally revealed for the first time last evening. The principal parts were in the safe keeping of accomplished and experienced artists, the choral numbers were sung with skill and taste, and the marvellous orchestration was accounted for by a band of which any company might justly be proud. All the Wagnerian dramas demand the resources of a strong organisation if they are to be fittingly interpreted. The story of “Tannhauser,” told in the old-world style, is a story of all kindreds and tongues and ages. Noble and passionate, the hero has gone astray, and when we see him first be is in the arms of Venus, for whom he has forsaken purer surroundings and even the regard of the amiable high born Princess Elizabeth. The sweets of the Court of the Queen of Love begin to cloy, and he secures his freedom; but he is destined to learn that the time honoured Divinity can frown upon the obstinate no less forcibly than she can smile upon the tractable. Tannhauser rejoins his old friends, and rejoices in the avowed love of the Princess, but whilst taking part in a tournament with other warrior-bards the hateful spell his affronted mistress has cast upon him asserts itself with disastrous results. In reply to the chivalrous Wolfram’s plea for unselfish love he sings the delights of a baser passion, and, goaded by remonstrance, insolently avows his amours with Venus. In an instant the bright hopes of an honoured career are shattered. The intervention of the devoted Elizabeth alone saves him from the fury of the indignant knights, and permission is given him to undertake a pilgrimage to Rome. This duly he embraces, but he does not find favour in the eyes of the Pope who, it appears, declares that the pilgrim shall not find absolution until his staff shall break forth into bud. Meanwhile, Elizabeth droops and dies. Tannhauser returns in a desperate frame of mind, and is only prevented from re-uniting himself to Venus by the chant of the monks bearing the lifeless body of his love, by which he falls dead, but not until he has seen his staff covered with green leaves. Wagner’s superb setting or this story of passion and folly, of love and weakness, of sin and forgiveness, would, of itself, establish his claim to rank as one of the greatest of tone-poets. The entire gamut of human emotions is touched by the firm hand of genius. From the moment that we listen to the struggle between duty and pleasure with which it opens, until we are thrilled by the noble strains which proclaim the pardon of an erring mortal and his union in death with the pure soul who has devoted herself to his reclamation, one feels he is appealed to by a master mind. Many prominent numbers of the opera are familiar to the frequenters of the concert-room, but it is only by carefully following a complete exposition of its beauties that one can grasp its teachings and form an adequate conception of its power. It is satisfactory to be able to say that the work was followed with rapt attention throughout, and that the enjoyment of the large audience found expression in enthusiastic cheers. Mr. Wm. Stephens, upon whom devolved the onerous task of impersonating the passion-torn hero, had not previously appeared in opera on the Derby stage, but there can be no two opinions as to the success of his effort. His excellent tenor voice was in good trim, and he sang throughout as only an artist can. The strain upon his vocal resources must have been severe, but he bore himself bravely until the end. If we must select any special features of his performance for commendation we single out the manliness and grace which marked his interview with the Princess, which afforded a fine contrast to his stormy encounter with the knights, and the alternating emotions expressed in the closing scene. Mr. Stephens’s acting was consistently intelligent and forcible, and, with his refined vocalisation, gives him an honourable position among English speaking operatic artists. Miss Cecile Lorraine, also a new-comer, secured an immediate and emphatic success as Elizabeth. Gracious of presence and gentle of manner, she was an ideal heroine. Her voice, as bright and flexible a soprano as we have heard for many a day, has been assiduously cultivated, and that she has the true artistic sense Was quickly shown. The confession of her love, her plea for her reckless lover, and her plaintive supplications for his return were sure indications of careful study and natural vocal and histrionic gifts. Mr. Arthur Deane was an irreproachable exponent of the gallant, high-minded Wolfram, acting and singing in admirable style. Mr. Arthur Winckworth’s fine bass voice was heard to great advantage in the music assigned to The Landgrave, and valuable assistance was rendered by Mr. Frank A. Wood, Mr. Albert Chapman, Mr. P. Somers, and Mr. Isidor Marcil. Miss Ludlam sung the music of Venus brilliantly, and Miss E. Thomas deserves a word of praise for her correct singing of the pretty air assigned to the Shepherd Boy. The members of the chorus have not many opportunities, but they furnished convincing proof of their ability. Indeed, the audience would have been glad of a repetition of the inspiring chorus and march “Hail, bright abode,” so finely was it rendered. The band, numerically stronger and more efficient than usual, distinguished itself greatly. The overture — one of the best-known of the Wagnerian series — was played with surpassing skill, and applauded so vigorously that the conductor, Mr, E. Goosens, junior — worthy son of a worthy sire — bowed his acknowledgments, whilst the marvellous instrumentation which marks the development of the story and in which the resources of a great genius and the spirit of a poet are alike displayed, was executed with unerring taste and judgment. We ought to add that the opera was admirably staged, and that the dresses and appointments were rich and appropriate. To-night ballad opera will hold the stage. “The Bohemian Girl,” with a new Arline, in the person of Miss Euginie Barker, will be given.” [Derby Daily Telegraph, Volume: 42, Issue: 6376, Wednesday, Apr. 25, 1900] | |
| Wed 25th Apr 1900 | The Bohemian Girl – Eugenie Barker, Miss Ludlam, Mr. Reginald Brophy, Mr. Arthur Deane, Mr. Arthur Winckworth, Mr. Frank Wood, Miss Thomas |
| “THE BOHEMIAN GIRL” AT THE GRAND THEATRE., Balfe’s charming opera, “The Bohemian Girl,” has probably been produced in Derby more frequently than either of the works which appear in the programme of the Royal Carl Rosa Opera Company during their occupancy of the boards of the Derby Grand Theatre and Opera House this week, but it can be unhesitatingly asserted that it has never had a finer representation in Derby than that given it on Wednesday evening. There was another splendid audience, and the efforts of the capable members of the company who sustained the principal parts were appreciated to the full, several of the beautiful vocal numbers with which the piece abounds being vociferously encored. The choruses were rendered with surprising skill and taste, and the specially augmented band interpreted the delightful music in irreproachable style, the result being that every member of the crowded and enthusiastic audience went away with the feeling that the evening’s entertainment had afforded them a rich treat. It is unnecessary to refer at all to the story of “The Bohemian Girl” is is too well known to need recapitulation, bus Miss Euginie Barker must be congratulated upon the admirable way in which she impersonated the trying part of the heroine. She really made an almost ideal Arline, and though once or twice she hardly appeared word perfect, her singing left nothing to be desired, and she was accorded a well-merited encore for “I dreamt that I dwelt in marble halls,” though considerable disappointment was expressed because Miss Barker did not respond to the same. Miss Ludlam was excellent as the Gipsy Queen, and her song, “Love smiles but to deceive” was most enthusiastically encored. Mr. Reginald Brophy was seen to great advantage in the part of Thadeus, Mr. Arthur Deane was admirable as Count Arnheim, and Mr. Arthur Winckworth was wonderfully good as Devilshoof. Mr. Frank Wood and Miss Thomas successfully portrayed the remaining characters. It should be added that those well-known songs “When othrr lips” and “The heart bow’d down” were heartily encored, and the production in every respect was remarkably fine. To-night “Faust” will be produced.” [Derby Daily Telegraph, Volume: 42, Issue: 6377, Thursday, Apr. 26, 1900] | |
| Thu 26th Apr 1900 | Faust – Cecile Lorraine, Marie Burnett, Miss Douglas Wilson, Reginald Brophy, Arthur Winckworth, Haigh Jackson, Mr. A. Chapman |
| “THE CARL ROSA OPERA COMPANY IN DERBY. – ‘FAUST. – There was again a crowded attendance at the Derby Grand Theatre on Thursday evening, when the Carl Rosa Opera Company gave an excellent representation of Gounod’s “Faust.” The performance was in every respect equal to those given earlier in the week, than which we could extend to it no higher praise. The spirited rendering of the celebrated “Soldiers’ chorus” was one of the features of the evening, it being enthusiastically and most deservedly encored. The delightful music of the Kermesse scene was also very much enjoyed. Miss Cecile Lorraine, who was so admirable a representative of Elizabeth in the production of “Tannhauser” on Tuesday evening, was a charming Marguerite, and her singing was most appreciable. Mr. Reginald Brophv was thoroughly competent as Faust, but perhaps the greatest success of the evening was achieved by Mr. Arthur Winckworth, who scored heavily as Mephistopheles. His acting and singing were of the highest order. Mr. Haigh Jackson impersonated Valentine with considerable credit and Mr. A. Chapman was also successful in the minor part of Wagner. Miss Marie Burnett was a highly acceptable Seibel, and her fine voice was heard to particular advantage in that most beautiful and popular song, “When all was young.” Miss Douglas Wilson caused some amusement in the character of Martha. The orchestra and chorus did splendid work. To-night the new opera, “A Basso Porto” (at the harbour side), will be produced for the third time in England. It will be preceded by the lyric opera, in one act, entitled “II Piccolo Haydn.” At two o’clock on Saturday afternoon Wagner’s “Lohengrin” will be produced for the first time in Derby, and on Saturday evening Wallace’s evergreen “Maritana” will bring the week’s performances to a close.” [Derby Daily Telegraph, Volume: 42, Issue: 6378, Friday, Apr. 27, 1900] | |
| Fri 27th Apr 1900 | A Basso Porto [at the Harbourside] / Il Piccolo (Haydn) |
| Sat 28th Apr 1900 (m) | Lohengrin |
| Sat 28th Apr1900 (e) | Maritana |
| ?? – ?? Norwich, Theatre Royal | |